I have an overwhelming sense of wanderlust that became a life companion after I traveled to Europe for the first time on my own. To see other places in the world became a necessity. I loved the cities, the good and the ugly all the same.
For this reason Susan Brind Morrow’s Names of Things really spoke to me. Her travels to Egypt were infectious, and her lust for the unknown was contagious. Egypt becomes one of her passions, and as she writes about her time there, she describes it with very realistic language, not once romanticizing the qualities Egypt has to offer. She describes the people, the places she visits, and her surroundings exactly as she sees them, leaving no ‘ugly’ part out. Morrow fell in love with the place and its people for what they had to offer her, not for what it was supposed to be like, and I fell in love with her vision of Egypt. It’s a harsh land to conquer, and my favorite part was that she didn’t try to conquer it. Instead, Morrow simply adjusted to it and found humor where other people normally wouldn’t, for example in the case of the Jeep. She drives a jeep while she is in Egypt, because it is reliable for the sand dunes, but unfortunately it frequently boils over. In a situation of stress and frustration, Morrow instead finds this time as useful and turns it into spare time to make herself a cup of tea with the heat of the radiator. It was a small necessary reminder that the situation remains the same, whether you stress or not.
The book deals with language, culture, and openness for change. Morrow welcomes change with open arms, and understands that staying still is impossible. Morrow writes, “All refuge I find is at best temporary…somewhere in the process of learning this, in the heat and exhaustion and the harsh openness of sand, rock and wind, my resistance gave way.” The truth of her words resonated with me, and applied in situations that had nothing to do with Egypt.
My favorite part of her writing was her unromanticized sentences. She leads the reader to intimately know and understand the place as she does, without altering Egypt’s scenery for a more romanticized idea, because she simply accepts things as they are. This is one of the book’s greatest strengths, because the reader can also fall in love with a place, rather than an idea.
This blog entry was written by guest contributor Ana Navarette.
Susan Brind Morrow Papers at the Southwest Collection/Special Collections Library, Texas Tech University: http://www.lib.utexas.edu/taro/tturb/00172/trb-00172.html